There are two policemen, two main characters in this movie. But they both combine to present the entity of police force being frustrated of not capturing the right murderer. When we first follow the older policeman who is violent to his suspects and stupidly makes unfair judgment, we might think that he is a looser and thus we seek for a more competent policeman. However, when the one with well-educated background shows up, even though he has more scientific ways to investigate the case, finding out the key clues such as crime happening in rainy days, a song was picked to play each time the murder happened. He still doesn’t have the enough evidence to prove that he captures the right guy. He is so frustrated that he kicks the suspect and even points the guy to him. By that point, we finally understand why the first policeman is so violent to any of suspect, which at the first place
我从来没有想过这竟然是我第一次想看两遍的电影。
之前看过奉俊豪导演的<母亲>,被它的画面感和隐忍的剧情打动,然后回过来再来看《杀人回忆》。曾经一度没有办法看下去,八十年代韩国偏远小镇的场景和粗暴粗陋的任务,让我觉得故事艰涩难懂,放在电脑里将近半年也没有再看。
在今天的这样一个暗沉沉的雨天造成,突然就像看完它。
音乐很到位,气场很厚重~喜欢这个影片的名字,故事的结尾更引申了这部影片于我的内涵:回忆的那一头,是故事之源,是钢刀挥下时无助的旁观,而另一头,我们和那些不相干记忆中的人们亦在被慢慢杀死,所以,每个人都在用回忆杀人,但无一例外,里面都会有一个自己。
导演还是一贯用远景的空旷感来塑造人物内心的无助和寂寥,但确实很美,丰厚的麦田在四野的风中起伏,犹如人心犹如事情。
当我们沉浸在一件事情中拔不出来的时候,连自己往往也成为了怀疑的对象,很多真相是无法参透的,看到真相的人也不能为世间所容,要的答案就淹没在时间的长河和如烟的人潮中,用一张最普通的脸掩盖已经扭曲的心。
这真是一部难以下口评价的电影。
当做剧情片、煽情电影来看,它无疑是优秀的,让人紧跟着它那无助抓狂的情感主线;但是我是当做悬疑电影来看的,过程中真的是无数次失望。
让我们管中窥豹,拿一个人的故事做例子好了:第一个嫌疑犯,光昊,从他身上就能看出百般破绽。起初怀疑他居然是在警察已经排查一圈之后,从妻子口中得知的二手信息,此时难道不已经是众人皆知?然而,警察知道光昊在死者死亡当晚曾进行跟踪,就一口咬定其为凶手。各种严刑逼供,屈打成招。就没有想过他可能不是凶手并且在跟踪中能提供一些重要信息?好吧,最后还是证明了他的清白。那么一个傻子能够将作案过程重现的一字不差,这点还没有引起他们的重视?居然等到第三个嫌疑犯时才能想起:光昊可能目睹了案发过程。最后,导演为了能让电影继续悬疑下去,决心让光昊死,那你也得用点心吧?光昊一个人站在铁轨上,火车疾驰而来,声音有多大有常识的人都知道吧,此时居然有3、4个人在附近扭作一团,脱身的警官也是不慌不忙来找光昊,而光昊自己
“杀人回忆”看到电影名字并不想看的电影?
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