同样改编自舞台剧、同样的一间房+极少外景,甚至同样的非正常主人公+三四配角,《困在时间里的父亲》让安东尼·霍普金斯在奥斯卡上二次封帝,那么《鲸》能否助沉寂了十几年的男演员布兰登·费舍重返荣耀?
如果最终的结果事与愿违,恐怕并不是表演上的问题,而是政治不正确的问题:布兰登·费舍穿戴假体、燃烧生命的伟大表演在有些人看来,怕是有奇观化展示性少数群体的剥削意味:
为什么要把男同性恋设计成一个270公斤的大胖子?还让他抛妻弃女,显得那么自私呢?看看《断臂山》或者《请以你的名字呼唤我》
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灵与肉恰好和谐,是人之大幸
从“0”的渺小到身躯的生长 锻造 娇纵
每个0降生时 望得见人间的个个范例
于是灵与肉便开始了一生的撕扯
完全投入灵 肉体的欲望 会将其拉入深渊
完全投入肉 灵魂的高洁 会让肉体渐衰竭
灵与肉只见其一时 便意味着灭亡
世间之人 不过 灵驾肉 肉驱灵
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7.5 This film kind of like another one by the same director, it called 摔跤手. Two of movies were talked about the familiar theme, the heart connect between the father and daughter. But the daughter has tremendous hates to the father and then the father always says “sorry” for his daughter. By the way, one of the plots had marvels me that actor wants to end of his lives with ate to much higher energy food. It’s so terrible and horrible.
鲸:希望把最后的自己当作救赎
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