正当他以为自己误杀了她之时，她突然站起来，翩然起舞…… 《影子》：一名正在逃跑的男子(永瀬正敏)抺着他脸上的鲜血，最后走到死巷。他听见身后的脚步声，转身一看只见一个持枪的人。 《飞翔》：一名男子(浅野忠信)从警方逃跑出来，他跑进了大厦，跑上楼梯，一直冲上顶楼。其时一名女子正在天台晒衣服，他用手枪指向她，把她胁持作人质，可是她却不作一声。其后警方到场，试图说服他，但他甚幺也听不入耳，而那女人质也继续不说一语，他却突然提起手枪，指向自己的太阳穴…… 影片评价 关于影片： 这是石井聪互酝酿三年的作品，影片由三个故事组成———“死亡之歌”、“影子”、“飞翔”，分别讲的是三个被追逐的男子的故事：他们三人以“拼命的奔跑”出场，而在跑到没有退路的刹那，却发生了匪夷所思的事。石井聪互野心勃勃，正是想借此影像展示穷途末路的三名男子的境遇。片子虽然不长，但是奔跑的紧迫性使影片极具爆发力。展现在我们面前的，是三具被压抑的躯体的逃亡畅想曲。明天对他们来说已不重要，天堂或者地狱早由不得他们选择，甚至他们都不愿为自己的逃跑找个理由。 导演简介： 日本第一代独立电影导演石井聪互，1980年，用16毫米胶片创作了《再次一炮走红》，后来该片以35毫米胶片电影公演。作为一个没有体验过摄影系统，却能从自编自导电影中成长起来的导演，他给新日本电影界注入了活力。1982年发表了《爆裂都市》（Burst City），1984年的电影《逆喷射家庭》获得了第八届意大利萨卢索电影节最高奖，石井聪互的名字也从此在海外有了很高的评价，甚至高于日本国内对他的评价。1994年凭着《天使之尘》(Angel Dust）夺得伯明翰电影节金奖。之后，又先后于1995年发表了《水中八月》及1997年的《梦之银河》。继2000年《五条灵战记》及2001年《八万伏特霹雳神龙》(Electric Dragon 80000V)后，新作《Dead End Run》再次将迷离扑朔的风格注入他的电影世界。 石井聪互何许人也？ 蛰伏三年的石井聪互，在这里用爆炸的影像给我们讲述了三个关于死亡的故事。对了，还有爱情。 日本电影界始终活跃着两位大师级的视觉电影狂人，一位是眆本晋也，另一位就是石井聪互。在他们身上，我们能闻到钢铁的味道。这两位几乎全日本最低产的电影导演，二十多年间来始终保持着开创性的影像激情。而最难能可贵的是，电影在他们眼中毫无商业可言，永远只是尚需改良和完善的实验产品。石井聪互从20岁开始拍电影，掐指算来，47岁的石井聪互已经拍摄了27年的实验电影。 有人说石井聪互的金属风格沿袭了眆本晋也，但这是违背事实的，石井的成名作《爆裂都市》甚至还比眆本的《铁男》早了七年。其实二人各有千秋，虽然形式主题常常不谋而合，但石井要倾向视觉效果多一些，而眆本更钟情于对窒息压抑的铺陈。无独有偶，在眆本推出黑白实验片《六月之蛇》后，石井也如同约定般地拿来了这部加过N个滤镜的《终结死亡》与之示意。 在这三个关于生命的故事中，奔跑作为死亡的前奏，再次成为了石井聪互操练的形式元素。
1980年，香港对偷渡客实施即捕即解政策，但另一方面，自大陆偷渡的潮流仍然不停，这也催生出香部分帮派绑架人蛇向其亲属勒索的“打蛇”行业。 阿荃（雁红 饰）同丈夫、弟弟大种三人为寻找“钻
This 1992 Japanese film told a scientist the story that he set out to create a new one; Super Adam and Eve ;, People who cannot be controlled by emotions. Of course, the final result is not exactly what good doctors expect. Comments from imdb: this modern story of trying to build biology is one of the best; Terror ; Even if this is not a horror film, it is a completely different film. Of course, it is on my short list of all great movies. This film was introduced to me, and he told me:; I have this film, which is probably one of the best you have seen. It will move you, touch you and make you think, but if I tell you what it is and tell you how it works, you will feel that this is the most stupid thing on the surface, and you will not look at it; I asked him curiously what he meant, and he said:; This is a Frankenstein story with a very stupid edge, but it takes advantage of its advantages" My ears pricked up. I was a trusted person. I took the tape and looked at it. I was blown away. The plot tells of a crazy scientist who tried to create a new Adam and Eve after a suicide plague that ravaged the world. Being confined in the laboratory, his experimental results are different from what he or we expected. Some are stupid (bolts on the neck, wrestling movements...), all of which are touching and thought-provoking. I can't recommend this movie enough. If you are willing to accept the terms of this film and allow it to tell a story, then I urge you to look for this film and watch it. This is an undiscovered gem that will always be with you. 15 out of 10, then some. 10/10 is also called 10; The Last Frankenstein;, This is an extraordinary and well-made horror film. Director Takeshi Kawamura used Mary Shelley's novel as a springboard to explore various and fascinating themes such as love, desire, suicide, mass hypnosis, sex, alienation and jealousy. Although this film is full of subtext, its shooting is also amazing, full of atmosphere and details. All the performances were amazing. Kawamura's sensitive handling of the strange and delicate relationship between the characters led to a tragedy full of emotion and anxiety. The scene of this confused and troubled monster walking through the misty forest at night is unforgettable and impressive. This is a wonderful montage in the style of family film. The more curious characters in the film spent a valuable afternoon on the beach. Kawamura has created a sympathetic visual poem that has been almost invisible since Todd Browning's classic Terror and Sadness; Freaks ;. Intelligence, sensibility, tragedy and truth are absolute gemstones. 9/10
